{"id":797,"date":"2016-02-10T07:24:51","date_gmt":"2016-02-10T07:24:51","guid":{"rendered":"http:\/\/severud.com\/?page_id=797"},"modified":"2024-09-16T18:30:46","modified_gmt":"2024-09-16T18:30:46","slug":"lincoln-center","status":"publish","type":"page","link":"https:\/\/dev70.fiveminutes.in\/severud\/icons\/lincoln-center\/","title":{"rendered":"Lincoln Center"},"content":{"rendered":"

Lincoln Center, New York, NY<\/strong><\/h3>\n

Vivian Beaumont Theater\"Liincoln<\/b><\/p>\n

The Vivian-Beaumont Theater was originally designed in 1962 by noted architect Eero Saarinen for Lincoln Center for the Performing Arts. After 30 years of use, however, the turntable and elevating platform within the theater\u2019s stage had become essentially inoperable. To remedy this problem, Severud Associates developed a modular system of interchangeable floor panels that could be reconfigured with conventional tools and without lifting equipment.<\/p>\n

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Later, at the turn of the 21st century, Severud Associates also engineered a more comprehensive renovation of the Beaumont\u2019s facilities. The main stage was converted from a proscenium to a thrust configuration and, accordingly, the seating, lighting grid, and catwalks were reconstructed in a semi-circular arrangement. Additional framing split the lobby into two levels and created intimate gathering and banquet spaces. New accessibility improvements and below-grade audience lounges rounded out the renovations.<\/p>\n

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\"Lincoln<\/b><\/p>\n

LCT3 \u2013 Clair Tow Theater Addition<\/b><\/p>\n

Lincoln Center Theater\u2019s newest production company, LCT3, occupies a translucent glass box that appears to hover over the massive concrete roof of the Vivian Beaumont Theater. Severud Associates engineered a structural system that uses only four of the Beaumont\u2019s existing columns to support the addition so that famed architect Eero Saarinen\u2019s original 1962 minimalist design could be maintained. This approach also avoided the need to reinforce the existing roof framing, which has very little reserve capacity.<\/p>\n

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Two-story steel trusses span the 175 feet between the columns, which are located at the north and south perimeter only. Transverse trusses, spanning 75 feet and cantilevering 15 feet, provide width beyond the existing column spacing and lateral rigidity. A precise accounting of new and existing loads minimized the change in load to the four columns. In addition, a program of non-destructive testing of the existing concrete established strengths that were higher than used in the original design. As a result, reinforcement of the existing columns was not needed. An independent, steel-framed elevator core pierces the existing theater and extends to bedrock.<\/p>\n

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David H Koch Theater (formerly NY State Theater)<\/b><\/p>\n

\"LincolnThe David H. Koch Theater is an architectural and structural engineering marvel. Designed by Philip Johnson and completed in 1964, the theater’s structural design features a robust concrete frame with cantilevered balconies, allowing for expansive, column-free interior spaces that enhance audience sightlines. The exterior showcases a modernist design, with a fa\u00e7ade supported by a series of reinforced concrete arches that provide both aesthetic appeal and structural integrity. The theater’s foundation and load-bearing systems were engineered to support its iconic grand lobby, large stage, and the technical demands of ballet and opera productions.<\/p>\n","protected":false},"excerpt":{"rendered":"

Lincoln Center, New York, NY Vivian Beaumont Theater The Vivian-Beaumont Theater was originally designed in 1962 by noted architect Eero Saarinen for Lincoln Center for the Performing Arts. After 30 years of use, however, the turntable and elevating platform within the theater\u2019s stage had become essentially inoperable. To remedy this problem, Severud Associates developed a … Continue reading “Lincoln Center”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":818,"parent":11,"menu_order":2,"comment_status":"closed","ping_status":"closed","template":"full-width.php","meta":{"_acf_changed":false,"ngg_post_thumbnail":0,"footnotes":""},"acf":[],"_links":{"self":[{"href":"https:\/\/dev70.fiveminutes.in\/severud\/wp-json\/wp\/v2\/pages\/797"}],"collection":[{"href":"https:\/\/dev70.fiveminutes.in\/severud\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/dev70.fiveminutes.in\/severud\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/dev70.fiveminutes.in\/severud\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/dev70.fiveminutes.in\/severud\/wp-json\/wp\/v2\/comments?post=797"}],"version-history":[{"count":16,"href":"https:\/\/dev70.fiveminutes.in\/severud\/wp-json\/wp\/v2\/pages\/797\/revisions"}],"predecessor-version":[{"id":6203,"href":"https:\/\/dev70.fiveminutes.in\/severud\/wp-json\/wp\/v2\/pages\/797\/revisions\/6203"}],"up":[{"embeddable":true,"href":"https:\/\/dev70.fiveminutes.in\/severud\/wp-json\/wp\/v2\/pages\/11"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dev70.fiveminutes.in\/severud\/wp-json\/wp\/v2\/media\/818"}],"wp:attachment":[{"href":"https:\/\/dev70.fiveminutes.in\/severud\/wp-json\/wp\/v2\/media?parent=797"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}